刘明华，笔名；卓然。喜欢写诗亦喜爱涂来抹去兼之写有写无，因不喜欢有所牵绊，更不喜欢有职衔，一介闲人。1958年出生于广东饶平。1974 年参加工作，1978 年参军入伍，1980 年参加海军广州基地美术培训班专业进修。一贯喜欢读书游历，重视素养，有好的思想内涵与较高的理论水平。其多次参加国内外书画展，并荣获各大奖项。多幅作品被港澳台、日本、韩国、新加坡、马来西亚、欧美等国内外友人收藏，备受广泛关注及享有盛名。潜心诗画，痴好画松，一松一世界。游于世外，心静境自静。因出色的艺术造诣和艺术成就，中央电视台华人频道《环球潮人》栏目以《画松能手刘明华》专题访谈。
人民日报全媒体平台《袭古创今》栏目组为之录制专题纪录片《描绘古老松柏，讴歌不朽精神》并加以推播。收藏天下全国数字电视频道《聚焦名师.墨宝收藏.2020最具收藏价值艺术家刘明华》，《人民日报》人民网欧洲网《翰墨国韵大国崛起当代著名艺术名家—刘明华》；中央电视总台朝闻天下﹒《翰墨国韵大国崛起当代著名艺术名家—刘明华》；中国日报《中国网》﹒《笔尖下的国粹—当代著名艺术名家—刘明华》；中央电视总台《中视网》﹒中央电视总台新闻联播网和中国新闻报道一一新闻频道以《笔墨情趣见性情，品读当代艺术名家刘明华》。凤凰台《凤凰新闻》﹒《建党百年﹒书画风云人物—刘明华》；凤凰台《凤凰新闻》和雅昌头条《当代最具收藏价值书画家家—刘明华》。雅昌艺术头条又以《绘人生精彩，谱岁月华章一一一特别介绍当代艺术家刘明华》今日头条、百度、腾信、网易新闻以及全国相关省市网站都纷纷转载宣传报道。
2013年5月初在友军的支持下于天津六号院展馆主办了《韩水瑶光》潮籍书画家作品展。于2016 年7月中旬在解放军政治工作部北京沙河培训基地参加由中集邮、大众文化学会工艺美术专业委员会主办的中國共产党成立95周年翰墨丹青耀中华书画作品展暨纪念邮册首发活动。2019年国庆节前后曾二次在北京民族文化宫参加“庆祝中华人民共和国成立70 周年”画展。经过多年来的不断努力，其作品恢宏洒脱，气韵生动，满纸云烟，浑然天成。博众家之所长，悟大师真谛，苦研心法。游历名山大川，承天地之灵气，接山水之精华。刘明华先生的潜在力量是无限的，历年勤奋为中国当代书画界留下的墨迹，将随着时间的推移而逐渐呈现出巨大的艺术价值。
Liu Minghua, pen name; Remarkably. Like to write poems also like to erase and write without, because I do not like to be tied down, more do not like to have a job title, a layman. He was born in Raoping, Guangdong province in 1958. In 1974, he joined the army and joined the army in 1978. In 1980, he attended the art training class of Guangzhou Naval Base for professional training. Always like reading travel, pay attention to quality, have good ideological connotation and higher theoretical level. He has participated in many calligraphy and painting exhibitions at home and abroad and won various awards. Many of his works have been collected by friends from Hong Kong, Macao, Taiwan, Japan, Korea, Singapore, Malaysia, Europe and the United States and other countries, which has been widely concerned and enjoys a good reputation. Poetry and painting, chi good painting loose, a loose world. Swim in the world, peace of mind from the quiet. Because of his outstanding artistic attestation and artistic achievements, CCTV Chinese channel “Global Hipster” column with “Painting pine master Liu Minghua” special interview.
The People’s Daily all media platform “Attacking the Past and Creating the Present” column team recorded a special documentary “Depict the ancient pine and Cypress, Euloquize the Immortal Spirit” and broadcast it. Collection of the world’s national digital TV channel “Focus on masters. Mobo collection.2020 the most valuable artist Liu Minghua”, “People’s Daily” European network “The rise of calligraphy rhyme contemporary famous artist – Liu Minghua”; · The Rise of A Great Power in Calligraphy and Calligraphy — Liu Minghua, a famous contemporary artist; · “The Quintessence of Chinese Culture under the Pen tip — Contemporary Famous Artist — Liu Minghua”, China Daily; “China TV Network” of China Media Group · The News network of China Media Group and the News channel of China News Report – “The Taste of Ink to see temperament, Reading the contemporary art famous Liu Minghua”. Phoenix Palace “Phoenix News” · “One hundred years after the founding of the Party · Painting and Calligraphy personage — Liu Minghua”; Phoenix Palace “Phoenix News” and Artron headlines “the most valuable contemporary painting and calligraphy family – Liu Minghua”. Artron Art Toutiao also introduces contemporary artist Liu Minghua with “Draw a Wonderful Life, Chart the Years hua Chapter 11” today’s toutiao, Baidu, Tengxin, NetEase news and related provincial and municipal websites have reprinted the publicity report.
In early May 2013, with the support of friendly forces, the exhibition hall of Tianjin Courtyard 6 hosted hanshui Yaoguang Chaoshu Calligraphers and Painters exhibition. In mid-July 2016, he participated in the Chinese Calligraphy and Painting Exhibition and commemorative stamp album debut for the 95th anniversary of the founding of the Communist Party of China hosted by the Arts and Crafts Professional Committee of The Chinese Philatelic and Popular Culture Society in Beijing Shahe Training Base of the Political Work Department of the PEOPLE’s Liberation Army. Around the 2019 National Day, he participated in the exhibition of “Celebrating the 70th Anniversary of the Founding of the People’s Republic of China” twice in the Cultural Palace of Nationalities in Beijing. After years of continuous efforts, its works grand free and easy, vivid, full of paper clouds, natural. Bo the director of the house, master true meaning, bitter research heart method. Traveling in famous mountains and rivers, inheriting the spirit of heaven and earth, and receiving the essence of landscape. Mr. Liu minghua’s potential power is unlimited, the years of hard work for the Chinese contemporary calligraphy and painting left ink, with the passing of time will gradually show great artistic value.
“奇松傲立玉屏前，阅尽沧桑色更鲜”——赏读刘明华先生笔下的古松
刘明华先生笔下的古松是挥之不去的天籁之音。那一幅飘逸非凡、旷达亘古的古松绘画潜行着他的崇仰之旅、高远之思。他在艺术的海洋里感受、追怀、遥想……是松树启迪了他的神驰意掣呢，还是他的意掣神驰赋予了松树以外的什么？岩石上三五青松凌云傲物，看云卷云飞，月缺月圆……刘明华在那样的仙境中凝思、畅想、揣摩、构图、渲染…
刘明华先生听松涛而酝诗情，用意精深。以大笔散锋勾勒松针，笔笔潇洒挥写与严谨刻画相结合，纵横盘错的线条组成千变万化的空间，构成微妙的韵律感，使松针细密繁缛而有意趣，形神兼备，辅以水墨晕染，滋润中透出凝重，体现出生气勃勃的风格，画出了松之魂魄、情操和气韵，很好的表现出气节千秋的气氛；又以散笔老毫主写松干，笔势奔放生动，豪放中见灵秀。皴皴擦擦、点点染染，在经意和不经意之中，使画面又呈现出苍劲之美，画得松干如巨龙拔地擎天，无一不是破顽石而生，铮铮而立。刘明华先生具备善于捕捉现实生活中存在大美的实质能力，将大自然中物象的美，经过加工，概括，再纳入自己的艺术形式中，选择承接中国传统的审美取向，以“中得心源”营造内心的宏大意象。纵观刘明华先生所作古松整幅意境无不渗透着清、幽、灵、静、恬淡的气息。将不同空间之意象组合在一起，在整体单纯简洁的感觉上，以局部的丰富来增加画面的丰富性，同时注重浓淡程度的不同、大小形象的对比以使画面具有空间的纵深感。
Mr. Liu Minghua’s ancient pine is the lingering sound of nature. That elegant extraordinary, broad-minded ancient pine painting prowling his worship of the journey, lofty thinking. In the sea of art, he felt, remembered and imagined… Did the pine inspire his impulses, or did his impulses inspire something beyond the pine tree? Rock on three or five qingsong Lingyun proud, see cloud yunjuanyunfei, lack of full moon…… In that fairyland, Liu Minghua meditated, imagined, figured out, composed, rendered…
Mr. Liu minghua listens to songtao and goes by the poetic method with profound meaning. Outline scattered front with a large pine needles, bolt handsome start with rigorous characterization, the combination of vertical and horizontal lines of the complex of space, a subtle sense of rhythm, make pine needle close overelaborate and fun, xingshenjianbei, complementary with ink dizzy catch, moist in the dignified, fully reflects the vibrant style, draw out the soul of pine, sentiment and artistic conception, A good performance of the atmosphere of integrity; And to loose pen Lao Hao Lord to write loose dry, bold and vivid, bold and unrestrained in see ling xiu. Cun brush, point dyeing, in the meaning and casual, so that the picture and show the beauty of the vigorous, pine dry such as the dragon to pull out the sky, all is not broken stone and born, clank zheng. Mr. Liu Minghua has the ability to capture the essence of great beauty in real life. After processing, summarizing and incorporating the beauty of objects in nature into his art form, he chooses to inherit the traditional Chinese aesthetic orientation and create the grand image of his heart by “obtaining the source of his heart”. The whole artistic conception of the ancient pine painting by Mr. Liu Minghua is permeated with a clear, quiet, spiritual, quiet and tranquil atmosphere. The images of different Spaces are combined together to increase the richness of the picture with local richness on the overall simple and concise feeling, and at the same time pay attention to different shades and the contrast of images of different sizes to make the picture have a deep sense of space.
古松在刘明华先生的笔下，不独是出自心源的性情之笔，更是一种人文思索，画面营造的是松树又不是松树，那是画家的心象和符号，画面显示出苍茫之思与高节之气，显示出中国文化传统中高洁脱俗的品格与孤傲坚贞的精神力量和生命情调。永远以一种不变的姿态在天地间傲然挺立，宛如一尊不朽的雕像，凝眸足趾下翻滚的风云，指点未来，笑傲乾坤。
刘明华先生的古松绘画中包含着他对松的挚爱与崇仰。先生的笔端表达的是，遥望山上松，隆冬不能凋的本质；以及青松挺且直的气节，都融入了东方诗情的浪漫主义情怀，传承先贤的诗乃无形画，画是无形诗思想内涵，掠过刘先生的作品的背后，恍惚间不知先生是在画松还是在写诗，不过这些已经不重要了，当一幅幅作品重显，你定会感觉到一位艺术家笔锋如剑地礼赞着苍松
立傲苍穹的精神。——文／柳秀琳
Ancient pine trees in Mr Liu Minghua, not only is the pen of from cardiac temperament, but also a kind of humanistic thought, frame construction is the pine tree and not a pine tree, and it is the artist’s heart like symbols and images show the thought of boundless and the gas with high section, shows that the pure and free from vulgarity in traditional Chinese culture character and aloof firmness of spiritual power and the life emotional appeal. Forever with a kind of invariable attitude between heaven and earth proudly stand, just like an immortal statue, gazing at the tumbling wind and cloud under toe, pointing to the future, laugh proud universe.
Mr. Liu minghua’s paintings of ancient pines contain his love and admiration for pines. What he expresses is the essence of looking at the pines on the mountain in the middle of winter. Integrity and the pine stand and straight, have entered into the romantic feelings of the Oriental poetry, inheriting the ancient poetry is intangible, is the intangible poetry thought connotation, and past behind Mr Liu’s work, I don’t know Mr Between trance is in painting pine or write poetry, but these have not important, when works elegantly restored, you will feel an artist pen such as sword to praise the pines
The spirit of the sky. — By Liu Xiulin
苍茫自横出
浩气滿乾坤
一一评刘明华先生双管攒针画松
有缘认识画家刘明华先生，已经好多年了。在绘事上，他穷年累月，一以贯之的，就是画松。尔来八九载，他更是常常闭门守住寂寞，潜心砥砺，刻苦而勤奋地创作了一幅又一幅画松的大作品，气格为之一变，令人惊羡，叹赏！
明华先生画松，与人不同处，在于他画松针是用双管攒针。即，他是在指掌间夹住了两枝笔来攒松针，而不是仅使用单枝笔。他这绝活是早年从师习艺学来的。后来则在他自己不断进行新的探索和精益求精的锤炼中，戛戛独造，日臻至境。今天画坛画松者众，此或为仅见。至于画史虽有张璪画松“双管齐下”之传，张却是“一为生技，一为枯枝”，并不是攒针。相传发明了攒针法的李成，史籍上也没有他双管攒针的记载。因此，明华先生的双管攒针法，已经成为了他的颇具个人特色的艺术表现。
然而依我之见，明华先生的双管攒针法，并非纯属″技″的层面，而是在松针的形似的基础上，进一步提升了以形写神和形神兼备的笔墨神釆，从而增加了松针的荣荗的真实感和特征性。双管攒针法也因此带来了更多的形式妙趣，足堪玩味。
The vast expanse from the horizontal
Haoqi fills the universe
Comment on Mr. Liu Minghua double tube needle painting loose
Huang Shaoqing
I have known Mr. Liu Minghua, a painter, for many years. In painting, he has been drawing for years and years. In the past eight or nine years, he often closed his door to guard the loneliness, with great concentration, hard and diligent to create a painting of loose works, gas grid for one of the changes, amazing, admire!
Mr. Minghua paints pine needles differently from others in that he uses double tubes to save needles. In other words, he used two pens between the palms of his fingers to save needles, rather than a single pen. He learned this skill from his teacher in his early years. Later, in his own continuous new exploration and refinement of the temper, suddenly created, gradually perfect. Today’s painting circle painting loose people, this or only see. As for the history of painting pine “in two strings” of zao Zao, which is “a living technique, a dry branch”, not a needle. It is said that Li Cheng invented the method of saving needle, and there is no record of his double tube saving needle on historical books. Therefore, Mr. Minghua’s double tube needle method has become his artistic expression with personal characteristics.
However, in my opinion, Mr. Minghua’s double-tube needle saving method is not purely “technique”, but on the basis of the similar shape of the pine needle, it further improves the shencai of the pen and ink with both shape and spirit, thus increasing the sense of reality and characteristic of the rong of the pine needle. Double tube save needle method also brought more form because of this wonderful interest, enough worthy of pondering.
当然，松针只是画松的组成部分，远非画松的全部。所以同样重要的是，松的长势、形态及其可能的精神蕴含，从整体表现来说，俱密不可分，并不存在主要与次要的关系。明华先生对此非常明白。因此长期以来，外师造化，是他始终坚持躬行的创作道路。迄今，在中华大地上，他的足迹几乎踏遍所有有古松奇松的地方，如险峻的五岳固不在话下，九华山、崂山、大明山，以及九寨沟、十三陵等，也都留下了他虔诚地向五代荆浩学习和致敬的履痕。基于此，古代画论形容松，“苍健老硬，其形甚多″，″或耸而进枝者，或曲折而俯仰者，或躬而若揖者，或如醉人狂舞者，或如披发仗剑者″，”又若怒龙惊虬之势，腾龙伏虎之形，似狂怪而飘逸，似偃蹇而躬身″等等，明华先生多有所悟，其不同时期诗画笔下的松又和而不同，折射出明华先生多样的丰采。有关明华先生画作风格的变化，有此番评述：“复堂之画凡三变，初入都一变，再入都又一变，变而愈上。盖规矩方圆，尺度颜色，深浅离合，丝毫不乱。藏在其中而外之，挥洒脱落皆妙谛也。六十外又一变，则散漫颓唐无复筋骨，老可悲也。” 于是当其落笔，纸上之松即胸中之松，荣茂生发，奇釆郁勃，动人心魄，振人精神！
Of course, pine needles are only part of the pine, not all of it. Therefore, it is equally important that the growth, form and possible spiritual implication of pine are inseparable from the overall performance, and there is no primary and secondary relationship. Mr Minghua knows this very well. Therefore, for a long time, he always adheres to the creation path of practicing. So far, in the land of China, his footprints almost all the ancient pine and pine places, such as the five steep mountains, Jiuhua Mountain, Laoshan Mountain, Daming Mountain, as well as Jiuzhaigou, Ming Tombs, etc., have also left his piety to the five generations of Jinghao study and pay tribute to the tracks. Based on this, the ancient painting describe loose, “the healthy old hard and its shape very much”, “or shrug and into, branches, or twists and turns and pitch, or if a bow and yi, or such as mosh intoxicate, or such as the beatles hair battle sword”, “dragon if anger again surprised Qiu, the shape of dragon fighter, like crazy and elegant, like YanJian and devoting to” and so on, Mr Ming to think more, The pines in his poems and paintings of different periods are different from each other, which reflects the diversity and richness of Mr. Minghua. Regarding the changes of Mr. Minghua’s painting style, this comment is made: “Fu Tang’s paintings all change in three ways: when I first entered the painting, they all change again, and then they all change again. Cover rules and square, size and color, depth clutch, not at all disorderly. Hidden in them and outside, write off all wonderful noble truth also. If you change after 60, you will be old and sad.” So when he started writing, the pine on the paper was the pine in his chest. Rong MAO was born with hair, qi Zhaobo, moving and inspiring.
可变与不变，能变与不能变，仍是一个画家能不能继续向着新的高度和境界挺进的关键。如众所知，白石老人衰年变法，他正是由此而为自己打开了艺术的新纪元，成为登顶的一代大师。明华先生或许没有那么大的野心，但艺无止境，大胆求变，在变化中向前冲刺，是他为自己预设的坚定不移的目标。因此，八九年来，他的甘于寂寞，默默奋力创作，一幅幅画松所展示的阔大的气象，都在变化中带有了对于此前较多的清遒意境的超越。具体点说，则是他的画松，这些年来除了愈发以任情恣性的笔墨挥洒，曲尽松的各种奇崛怪绝的长势、形态，作为环境衬托的，还多为横空出世的危峰峻岭，九天挂落的飞流瀑练，因而于无边无际的苍茫中，一股浩然之气，弥漫画幅，涨满乾坤，拓展了意境，深化了蕴含，升华了精神指向。所以斯变也，实乃为大气魄之变，大格局之变！
Being changeable and unchangeable, being able to change and not being able to change is still the key for a painter to advance to a new height and realm. As we all know, Baishi old age change, he is thus opened for himself a new era of art, become a generation of masters. Mr. Minghua may not be so ambitious, but endless art, bold change, sprint forward in the change, is his preset unswerving goal. Therefore, for eight or nine years, he was willing to be lonely, quietly struggling to create, a picture of the vast atmosphere shown by the pine, are in change with more clear mood beyond the previous. Specifically, it is his painting, in addition to these years more and more to be harmonized appearances taste of ink, all loose piece of various singular strange at the same time, the development, form as a foil to the environment, the more dangerous in was born with the formation of majestic mountains, nine days hang fall in torrents of organ, therefore, in the boundless boundless a loftiness, diffuse format, rose man qiankun, expand the artistic conception, deepen the contain, Sublimate the spiritual direction. So si change also, is actually the change of the great vision, the change of the great pattern!
与此同时，明华先生画松渗透着的书卷气息，也不无可感。这在于他深知，绘事之高下，最终取决于积学积养的高下。故而除了画技的淬炼，明华先生读书不倦，也是常态。他读书之广，不弃古今。也著述，有文字与书艺史之长论。作诗则成千累百，诗稿盈泻。所以他画松的底蕴生发，盖所来有自。古人云，″画贵有古意″。我的理解，所谓″古意″，指的应该就是对于传统文化的继承和发扬光大，润物无声地有益于世道人心。明华先生画松的佳构力作，当亦此之依归哉！
At the same time, Mr. Minghua painting loose permeate the breath of the scroll, also not without feeling. This lies in his deep understanding that the success of drawing depends ultimately on the success of learning and raising. Therefore, in addition to the refinement of painting skills, Mr. Minghua’s tireless reading is also the norm. He read widely and did not abandon the ancient and the modern. Also writing, there is a long theory of the history of writing and calligraphy. Poetry is thousands of tired hundreds, poetry manuscript surplus box. So he painted loose roots, cover from. The ancients said, “painting has ancient meaning.” In my understanding, the so-called “ancient meaning” refers to the inheritance and development of traditional culture, which is silently beneficial to the people of the world. Mr. Minghua’s excellent work of painting pines should also be in line with this!
——文/黄少青
——By Huang Shaoqing